Konstlandskap
– What is an exhibition hall? – How do you create tension between art and nature? – Why should an exhibition hall be situated in the country side; would that add to the experience? – What are the conditions of exhibiting contemporary art? These are some of the questions I first asked myself...
| Main Author: | |
|---|---|
| Format: | Otro |
| Language: | Swedish Swedish |
| Published: |
2007
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| Subjects: | |
| Online Access: | https://stud.epsilon.slu.se/12528/ |
| _version_ | 1855572081821876224 |
|---|---|
| author | Lagnefeldt, Kerstin |
| author_browse | Lagnefeldt, Kerstin |
| author_facet | Lagnefeldt, Kerstin |
| author_sort | Lagnefeldt, Kerstin |
| collection | Epsilon Archive for Student Projects |
| description | – What is an exhibition hall?
– How do you create tension between art and
nature?
– Why should an exhibition hall be situated in the
country
side; would that add to the experience?
– What are the conditions of exhibiting
contemporary art?
These are some of the questions I first asked
myself when I came to work with this project on
an exhibition hall outside Kivik, Österlen. These
questions brought me to new places, meetings and
ideas.
The team working actively to realize this
project, calls it "Art by the Sea". The team has
been working with the project since 2001 . Their
vision is to create a new,internationally known
exhibition hall with "spectacular buildings in a
grandiose landscape", preferably overlooking the
sea. They found Bergdala farm, which corresponds
to their requirements. The architect student Anna
Belfrage and I became interested in the project
and our aim has been to produce a proposal for
buildings and landscape for this new exhibition
hall.
The site, Bergdala farm, is perched on top of a
hill. From the highest peak there is a marvellous
view of the sea. The farm comprises extensive
fields, woods and pastures, both
dense and open landscape in dramatic topography.
You can find remains from the Stone Age on the
property.
In this work the reader will follow the working
process, which starts with my early questions. I
looked for answers on study trips, in interviews
and literature. I needed to find out what a
contemporary exhibition hall can be; whether a
"beautiful" landscape really matters; how the
artists prefer to exhibit their work and what
the demands on the outside milieu are etc. The
reference studies brought me to places in the
region of Öresund and to Spain, to galleries and
studios where I interviewed people who work with
art in different ways.
The investigation results in reflections on the
different objects and interviews. I discuss in
what way they have inspired me and how I could
bring that to Bergdala. The studies helped me
to create a platform from where Anna Belfrage
and I together could establish a vision of the
activities of the exhibition hall, bearing in
mind the conditions of the site. The ideas were
developed and concretized into our mutual concept.
My process ends in a proposal where I apply this
concept on the landscape. It is a new layer on
top of the existing landscape; a directed motion,
which takes the visitor out
on an exciting walk in the landscape. |
| format | Otro |
| id | RepoSLU12528 |
| institution | Swedish University of Agricultural Sciences |
| language | Swedish swe |
| publishDate | 2007 |
| publishDateSort | 2007 |
| record_format | eprints |
| spelling | RepoSLU125282017-10-26T09:24:53Z https://stud.epsilon.slu.se/12528/ Konstlandskap Lagnefeldt, Kerstin Landscape Architecture (until 121231) Landscape architecture – What is an exhibition hall? – How do you create tension between art and nature? – Why should an exhibition hall be situated in the country side; would that add to the experience? – What are the conditions of exhibiting contemporary art? These are some of the questions I first asked myself when I came to work with this project on an exhibition hall outside Kivik, Österlen. These questions brought me to new places, meetings and ideas. The team working actively to realize this project, calls it "Art by the Sea". The team has been working with the project since 2001 . Their vision is to create a new,internationally known exhibition hall with "spectacular buildings in a grandiose landscape", preferably overlooking the sea. They found Bergdala farm, which corresponds to their requirements. The architect student Anna Belfrage and I became interested in the project and our aim has been to produce a proposal for buildings and landscape for this new exhibition hall. The site, Bergdala farm, is perched on top of a hill. From the highest peak there is a marvellous view of the sea. The farm comprises extensive fields, woods and pastures, both dense and open landscape in dramatic topography. You can find remains from the Stone Age on the property. In this work the reader will follow the working process, which starts with my early questions. I looked for answers on study trips, in interviews and literature. I needed to find out what a contemporary exhibition hall can be; whether a "beautiful" landscape really matters; how the artists prefer to exhibit their work and what the demands on the outside milieu are etc. The reference studies brought me to places in the region of Öresund and to Spain, to galleries and studios where I interviewed people who work with art in different ways. The investigation results in reflections on the different objects and interviews. I discuss in what way they have inspired me and how I could bring that to Bergdala. The studies helped me to create a platform from where Anna Belfrage and I together could establish a vision of the activities of the exhibition hall, bearing in mind the conditions of the site. The ideas were developed and concretized into our mutual concept. My process ends in a proposal where I apply this concept on the landscape. It is a new layer on top of the existing landscape; a directed motion, which takes the visitor out on an exciting walk in the landscape. – Vad är en konsthall? – Kan man skapa laddade möten mellan konst/ natur? – Varför ska en konsthall ligga ute på landet, kan det tillföra något? – Vilka krav ställs för att visa samtida konst? Detta är några av många frågor som jag ställde mig när jag började med det här examensarbetet om en framtida konsthall utanför Kivik på Österlen. Frågor som skulle föra mig till nya platser, möten och idéer. ”Art by the Sea” kallar sig den projektgrupp som sedan 2001 arbetar aktivt med att få till stånd en konsthall på Österlen. Deras vision är att skapa en ny internationellt känd konsthall med ”spektakulära byggnader i en storslagen natur”, gärna med utsikt över havet. De fann att Bergdala gård strax utanför Kivik är en plats som motsvarar deras krav. Jag och arkitektstudenten Anna Belfrage intresserade oss för konsthallsprojektet och tog oss an uppgiften med målet att ge ett förslag på utformning av landskap och byggnader för den framtida konsthallen. Platsen, Bergdala gård, ligger på en höjd och från högsta punkten, Lilla Stenshuvud, har man fantastiskt utsikt över hav och land. Gården har stora marker och en varierad natur som innefattar stora åkrar, skogar och hagar, slutet och öppet landskap om vartannat i en dramatisk topografi. I markerna syns mänskliga spår från stenåldern. I det här arbetet får läsaren följa arbetsprocessen som utgår från mina tidigt ställda frågor. Svaren söktes genom studiebesök, intervjuer och litteratur. Jag behövde ta reda på vad en modern konsthall för samtida konst kan vara, om ett ”vackert” landskap egentligen har någon betydelse i konstsammanhang, hur man som konstnär vill ställa ut, vilka krav som ställs på utemiljön osv. Referensstudierna tog mig till platser i Öresundsregionen och i Spanien, till gallerier och konstateljéer där jag intervjuade människor som på olika sätt arbetar med konst. Undersökandet mynnade ut i reflektioner kring de olika objekten och intervjuerna. Jag funderade över på vilket sätt de inspirerat mig och vad jag kunde ta med mig till Bergdala. Referensstudierna hjälpte mig att skapa en plattform varifrån jag och Anna Belfrage tillsammans kunde formulera visionen för konsthallens verksamhet utefter platsens förutsättningar. Idéerna utvecklades och konkretiserades i vårt gemensamma koncept. Arbetet avlutades med ett gestaltningsförslag där jag tillämpade konceptets idéer på landskapet. Förslaget blir ett nytt lager som läggs ovanpå det befintliga landskapet i form av en regisserad rörelse som tar besökaren med ut på en spännande vandring i landskapet. 2007-12-03 Other NonPeerReviewed application/pdf sv https://stud.epsilon.slu.se/12528/1/lagnefeldt_k_171026.pdf Lagnefeldt, Kerstin, 2006. Konstlandskap : ett projekt om en konsthall på Bergdala gård, Kivik. UNSPECIFIED, Alnarp. Alnarp: (LTJ, LTV) > Dept. Of Landscape Architecture, Planning and Management <https://stud.epsilon.slu.se/view/divisions/LMNR=3A644.html> urn:nbn:se:slu:epsilon-s-8295 swe |
| spellingShingle | Landscape Architecture (until 121231) Landscape architecture Lagnefeldt, Kerstin Konstlandskap |
| title | Konstlandskap |
| title_full | Konstlandskap |
| title_fullStr | Konstlandskap |
| title_full_unstemmed | Konstlandskap |
| title_short | Konstlandskap |
| title_sort | konstlandskap |
| topic | Landscape Architecture (until 121231) Landscape architecture |
| url | https://stud.epsilon.slu.se/12528/ https://stud.epsilon.slu.se/12528/ |